Editorial

Journal

Essays on the craft and theory behind the work.

11 April 20267 min

How to choose a fine art print for your home

The first fine art print to enter your home is not just another picture: it changes the way you inhabit a space. A practical guide to format, light, subject and edition, no fluff.

Read

30 April 20266 min

Contemporary sacred photography: the language of silence

Contemporary sacred photography is no longer iconography. It is a practice of removal: of silence, of the face as threshold, of the light that precedes language. Working notes.

Read

8 May 20266 min

What is Digigraphie: Epson’s certified fine art print process

Digigraphie was created by Epson in 2003 as the certified standard for limited-edition fine art prints: pigment inks, museum-grade paper, numbered certificates. Here’s why every work in my catalogue is produced this way.

Read

30 May 20265 min

Contemporary photography: what remains when everyone shoots

Every day the world produces billions of photographs. Almost none will be looked at twice. For years I have asked myself what it means, today, to call yourself a photographer. The answer is not in the shot. It is in the gaze.

Read

The studio letter

A few times a year: new work, an essay, the thinking behind a print. No noise, no selling. Unsubscribe in one click.